In
Nesting
In this series of videos, I turned the camera on my son and our time together during the early years. I wanted to show intimate moments of joy, frustration, pain.. all that motherhood encompasses for me.
In
Gate Pass
Gate Pass explores correlations between private and public gestures of familial protection as interpreted through the fixture of home gates. I examined ideas of privacy and protection through interviews and observations of the people who lived behind or passed through the gates in the Central Province of Kenya while on a 3-month residency; my research revealed a shared need for security and the lengths we go to achieve a sense of safety and stability. Gate Pass documents these impeding physical boundaries through photography and video, exploring the daily occurrences both inside and outside the gates, while revealing connections of intimacy and formality, alienation and belonging, security and vulnerability.
Installed at Los Angeles International Airport for 6 months in 2017, Gate Pass sought to create a dialogue with air travelers about security measures, a collective component of the air travel experience, encouraging reflection on issues of trust and protection.
The project was made possible through a residency with Maji Mazuri Centre in Nairobi, Kenya and received funding from many individual donors, North Carolina Arts Council, and the City of Los Angeles Department of Cultural Affairs.
All photos by Panic Studio LA
In
Potential Spaces
A projected video installation investigating space between members of bi-cultural couples as artifacts of an amalgamated personal culture. Referencing the principle of potential energy in physics, Potential Spaces considers “space” a field of action while simultaneously making action possible.
This project was made possible with help from Alfred University and a residency at La Cité Internationale des Arts, Paris, France.
In
You are a Perpetual Tourist
You are a Perpetual Tourist is a series of sixty-two short (and micro) experimental documentaries exploring ideas of longing and distance between children and adult family members in public space as expressed through gesture.
The book Longing & Distance: through gesture is a companion piece.
Exhibited at: Fosdick-Nelson Gallery, Alfred, NY; E.H. Little Fine Arts Center, Charlotte, NC; the Central Academy of Fine Arts, Beijing, China; Local Project, Queens, NY; Consulate of Chile in New York, NY; Centro de Arte Digital en Memoria de Juan Downey, Puerto Varas, Chile; and Arena 1 Gallery, Santa Monica, CA.
Footage was gathered over 4 years in Tucson (AZ), Chicago, New York, Panama Canal, Panama City Airport, Valparaiso (Chile), Viña del Mar (Chile), Mendoza (Argentina), Buenos Aires, and Miami.
This project was partially funded through the State University of New York Graduate Diversity Fellowship.
In
Reciprocal Strategies
The work was founded on the idea of mashing the ping-pong of a conversation with the collective assemblage of an exquisite corpse: one artist would make a short video quickly, sending it to the other artist. Then the next artist would make another short video quickly in response, sending that to the other artist. The end product is an installation that can be understood as a series of monologues and/or conversations between the videos, some being self-evident, while others relying on the interaction in the space with the other videos and with the viewers inhabiting the projection of other videos in order clearly see one.
Reciprocal Strategies was a collaboration with Cassidy Petrazzi.